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Garageband Ipad Midi Note Editor

27.12.2020

Tutorial: GarageBand—Basic Editing

  1. A way to tell if your computer has recognized the controller is by hitting a note on your MIDI Controller, and seeing if it registers that note at the top of the DAW. If you hit one note, a little circle will appear in the top right-hand corner of the “Beats Position Display” at the top-center of Garageband.
  2. May 25, 2011 Stay tuned for more GarageBand for iPad tips and tutorials. Till next time.don’t drive your neighbors nuts with the Minimoog playing Axel F or Tom Sawyer synth leads. Till next time.don’t drive your neighbors nuts with the Minimoog playing Axel F or Tom Sawyer synth leads.

Introduction

Jun 15, 2012 Step 1: One of the big new features in GarageBand for iOS 1.2 is MIDI editing, so let’s find out how it all works. Start by recording anything you like using one of the instruments - you can even record using the Smart Instruments’ preset MIDI parts. Now tap the track editor icon near the top left to bring up the track list.

GarageBand is an ideal software package—easy to use, included on every Mac, and capable of editing interviews quickly. The process of editing audio content by editing waveforms is standard across all audio programs. The actual mechanics for making the edit may differ, but every software package will include a way to cut out unwanted material and join the sound you want to use.

This tutorial provides an introduction to audio editing through GarageBand.

You can download the raw file, a rough edit and the finished audio of the file used in this tutorial from the Apple web site. The files are in the right column.

Setting up GarageBand

Open GarageBand.

GarageBand requires you to select a project type.

Choose Podcast (1) and click Choose (2).

This is the podcasting screen. The first step is to simplify the interface.

Click the Edit button (1) and the Media button (2) to close those two panels.

This interface is less complex.

Select Hide Podcast Track from the Track menu.

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The screen is even less complex. /omnisphere-2-sound-source-2-0-1c.html.

Turn off Ducking. [Ducking is a way to automatically lower the background sound when the foreground sound is louder.]

Ducking is off and there are no ducking controls in the track head.

Delete all but one track—GarageBand requires at least one track.

Position the Finder Window containing the audio source files at the top right of the Finder window.

Importing and Editing

After you setup a Finder window in the upper right corner of your desktop drag a single file into a blank spot in Track Head area.

Each file you drag will appear in a separate track.

The imported audio will appear in a new track.

The new track will have the imported audio file name as the track title. The track waveform will be orange. The orange track color indicates that this is an imported audio file. Voices and Real Instruments recorded directly into GarageBand are color-coded purple. Midi instruments are coded green. Loops are aqua.

Open the edit panel (1).

Click the play control or press the spacebar to play the audio. Press the stop button or the spacebar to stop the playhead at an edit point. Note that the playhead in the multitrack view (1) and the playhead in the Editor (2) show exactly the same point on the waveform. The waveform in the edit window is larger and can be zoomed independent of the multitrack view. This permits precision edits on the waveform.

After you select an edit point, select Split from the Edit menu. Note the Command T keyboard shortcut. Most of the work in editing is making cuts.

The first edit is complete. Note the left edit has a unique region name—cryptobotany.raw.1—(1) and the right edit has a unique region name—cryptobotany.raw.2—(2).

Now that the first edit is complete, you’ll want to delete the left part of this edit—cryptobotany.raw.1 (1). However, after the edit note that both the left region, cryptobotany.raw.1 and the right region, cryptobotany.raw.2 are highlighted.

If you hit the Delete key with both regions highlighted the entire track will be deleted. This frequent mistake is easily corrected. Hit the Command and Z key to undo the mistake.

Select just the left region—cryptobotany.raw.1—and press the Delete key.

The left region is deleted and the edit is complete.

Here’s an example of garageband’s non-destructive editing capabilites. Press Command and Z to undo the delete. Now, select just the right region—cryptobotany.raw.2—and press the Delete key.

Notice the special cursor that appears when the mouse is positioned over the lower right corner of the track in the precision editing window.

Click and drag the track to the right. The material that was just deleted reappears.

Removing a section in the middle of the track is only slightly more complicated.

Make a cut (split track) on each side of the sound section that will be removed.

Deselect all track regions by clicking in an empty grey area.

Select the section to delete and press the Delete key.

The section is deleted. The next task on the edit is to close the gap between the two remaining regions and join the two regions together.

Select the right region in the multitrack (upper) window—you cannot move a region by clicking in the Edit panel—and move the region to the left until it is adjacent to the the left region.

Highlight both the left and right regions.

Select Join from the Edit menu.

Two important changes occur. First the two regions are joined. The region label reads cryptobotany raw.3.merged. GarageBand has merged the two files and has written a new temporary file. GarageBand can now handle this file in the same way as a sound recorded directly into a GarageBand project.

Editing an interview primarily consists of cutting out reporter questions and removing segments of the interview that are not necessary for the report or project.

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Exporting

After finish editing, you need to export the interview.

Move the End Marker before exporting.

Click the End Marker in the Multitrack window ruler and drag the maker to the end of the interview.

The End Marker is correctly positioned and the project is ready for export.

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Select Export Song to Disk from the Share menu.

If you are using this sound project in Final Cut Pro or any other program that will import uncompressed sound files, do not check the Compress checkbox.

If you are using this sound project in SoundSlides or any program that requires a compressed file, check the Compress checkbox and select the method of compression and the settings. This setting is for Soundslides and is set to the required MP3 file format and uses the 128 kbps setting.

Give the export a name (1) and check the location (2) to make sure you know where the file will be saved. Then click the Save button (3).

About this Tutorial

Jerry Monti is a technology trainer for the Knight Digital Media Center.

Republishing Policy

This content may not be republished in print or digital form without express written permission from Berkeley Advanced Media Institute. Please see our Content Redistribution Policy at multimedia.journalism.berkeley.edu/content_redistribution/.

You need to select notes before you can edit them. You can select notes by clicking, Shift-clicking, dragging to make a marquee selection, and using the keyboard at the left edge of the Piano Roll Editor.

The Piano Roll Editor header shows the number of selected notes and the region name. When multiple overlapping notes are selected, the Piano Roll Editor header shows the chord name. When no notes are selected, the header shows the name of the most recently selected MIDI region, or the number of regions selected.

Select notes

  • Select a note: Click it.

  • Select multiple notes: Shift-click the notes, or drag to enclose them.

  • Select all regions on a track: Click the track header in the Tracks area.

Select all notes of the same pitch

  • Click the key on the keyboard at the left edge of the Piano Roll Editor.

    To select all notes for a range of pitches, Shift-click or drag over a range of keys on the keyboard.

Move notes

  • Move a note: Select a note, then drag left or right.

  • Move notes in finer increments: Select the notes, hold down Control, then drag the notes to the new position.

    The drag resolution depends on the current zoom level.

    Alternatively, you can press Control-Shift as you drag to move the notes in tick steps, overriding the grid value.

Copy notes

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Do one of the following:

  • Option-drag notes to a new position.

  • Use any of the following Clipboard commands:

    • Edit > Cut (or Command-X) to move notes into the Clipboard.

    • Edit > Copy (or Command-C) to copy notes into the Clipboard. Best way to record vocals on garageband ipad.

    • Edit > Paste (or Command-V) to paste notes at the current playhead position, at their original pitch.

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Change the pitch of notes

Do one of the following:

  • Drag the notes up or down.

    You can use the keyboard graphic on the left as a guide when dragging notes.

  • Select notes, then press Option–Up Arrow to raise or Option–Down Arrow to lower the pitch in semitones.

  • Select notes, then press Option-Shift–Up Arrow to raise or Option-Shift–Down Arrow to lower the pitch in octaves.

Resize a note

  • Drag either the left or right edge of the note horizontally, using the pointer.

    A help tag appears while you drag, showing the length of the note.

Resize multiple notes

  • Select the notes, then drag either edge of one of the selected notes.

    The relative differences between the lengths of the selected notes are maintained.

Edit the velocity of notes

Each note in the Piano Roll Editor displays a horizontal line. The length of the line relative to the overall length of the note shows the note’s velocity. Velocity indicates how hard the key was struck when the note was played, which usually corresponds to the note’s loudness (the MIDI velocity range is from 0–127, with 127 being the loudest). Velocity can also control other synthesizer parameters, such as filter resonance or cutoff, alone or in conjunction with volume level.

  • Select one or more notes, then drag the Velocity slider in the Piano Roll Editor header left or right.

The note velocity updates in the inspector as you drag. The line inside the note also updates to show the velocity change.

When you edit the velocity of multiple notes, the relative differences in their velocity values are retained. If the velocity value of any of the selected notes reaches the minimum or maximum value (0 or 127), none of the notes can be adjusted further.

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You can override this behavior by holding down Option while dragging. This technique allows you to continue altering the velocity values until the selected note reaches the minimum or maximum value. By overriding, you alter the velocity relationship of this note to the other notes.

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Delete notes in the Piano Roll Editor