Best Way To Record Vocals On Garageband Ipad
Except creating music and recording sound on iPhone, you can also use it on an iPad or its desktop version on Mac. Do not miss out this tutorial to record sound on iPad using GarageBand if you are looking for a free voice recording app which is missing on iPad. The Voice Memos app can’t be found on iPad. So use GarageBand if you like. The best microphone for recording vocals and acoustic guitar is a large diaphragm condenser microphone with cardioid pickup pattern. This type of microphone will be able to capture the nuance of your live performance. To record the guitar and vocals on your computer you will also need an audio interface. There are 2 key features the audio interface will require: an XLR Mic input with built-in preamp, and phantom power.
GarageBand User Guide for iPhone
Using the Audio Recorder, you can record your voice, an instrument, or any other sound using the microphone on your iPhone, and play it back in GarageBand. You can also record sounds using an external microphone connected to your iPhone.
The Audio Recorder has two sets of controls you can use to change the sound. Fun view lets you quickly change the sound of your recording, while Studio view gives you more options to enhance your recording.
Switch between Fun and Studio view
Record a sound
Tap the Record button in the control bar.
Play, sing, or make sound into the microphone.
When you are finish, tap the Play button in the control bar to stop recording. Tap the Play button again to hear your recording.
Adjust the microphone input level
While you record, the In level slider on the left shows the input level from the microphone. If the level turns red, drag the slider down (or record the part again more softly) to prevent distortion.
Drag the In level slider up or down to set the input level.
Serato scratch live to serato dj. The In level slider is available if your iPhone or input source supports input level control.
If the input device supports left and right channels, tap Channel button under the In level slider, tap Input 1 or Input 2 to select the input channel, or tap Stereo to record in stereo.
When you finish, tap Done.
Set the input level automatically
When an external microphone or other audio device (such as a headset or an audio interface) is connected to your iPhone, the input level can be set automatically.
Tap the Input Settings button , then tap the Automatic switch.
Reduce unwanted noise
You can use a noise gate to reduce low-level input noise when you record. A noise gate cuts off the sound when it falls below a certain minimum level.
Tap the Input Settings button , then turn Noise Gate on.
Drag the Noise Gate slider until the noise stops or decreases to an acceptable level.
When you finish, tap Done.
Turn on monitoring for an external microphone
When an external microphone or other audio device (such as a headset or an audio interface) is connected to your iPhone, the Monitor button under the Out level slider becomes active.
Tap the Monitor button to turn monitoring on. Tap the button again to turn monitoring off.
Change the sound using a preset
The Audio Recorder includes presets that appear after you record a sound. Each preset adds an interesting character to the recorded sound.
Do one of the following:
In Fun view, tap or turn the dial to select one of the presets.
Tap the Navigation button in the control bar, tap the Sounds button, then tap the sound you want to play. You can also swipe left or right on the Sounds button to change to the previous or next sound.
Turn the knobs to change the sound of the preset.
You can try out different presets by tapping them and turning the knobs.
Set the key and scale for Extreme Tuning
The Extreme Tuning preset is a popular vocal effect that changes the pitch of your recording based on your song’s key and scale settings.
Tap the Settings button , tap Key Signature, then tap a new key or a different scale (major or minor).
On iPhone 8, iPhone 7, or iPhone 6s, tap the Settings button, tap Song Settings, tap Key Signature, then tap a new key or a different scale (major or minor).
If the actual key or scale of your song differs from the key or scale setting, the effect might be less pronounced, or might change the pitch of individual notes in undesirable ways.
Vocals…it’s the one thing we all record.
And it’s the one thing all listeners hear.
Therefore…it demands our best work.
But with all the knowledge, gadgets, and techniques it requires…
It can feel overwhelming for beginners especially early on.
The good news is, with a just few simple tips…
Virtually anyone can SIGNIFICANTLY improve their sound in almost no time at all.
So in today’s post, I’ll share with you the best tips I know.
Starting with…
Finding the Right Microphone
These days, good vocal mics can be bought CHEAP…
For only a few hundred dollars, which is well within reach of average home studios, you’ll have your pick among dozens of great options.
To find out which ones I recommend, check out this article:
Moving on…
The 5 Issues That Ruin Vocals
In many ways, a good vocal sound comes LESS from employing fancy techniques, and MORE from avoiding common problems.
Specifically, these 5:
- Popping
- Sibilance
- Proximity Effect
- Foot Noise
- Poor Room Acoustics
Now let’s explore each one further…
1. Popping
One strange thing about the human voice is…
When pronouncing “P” and “B” sounds, a strong blast of air is expelled from the mouth.
In normal speech you don’t even notice it.
But on recordings, these air blasts strike the diaphragm of the mic…
Creating a punchy low frequency sound known as Popping.
To understand it better, try this exercise:
Place your hand in front of your face as you say these two sentences:
Peter Piper picked a peck of pickled peppers.
Better businesses build big boxes.
Feel the air hitting your hand? That’s popping.
To avoid it, the easiest way is to sing into the mic at a slightly off-axis angle, so the blasts don’t strike the diaphragm directly.
However…since many singers can’t or won’t do it, engineers often use pop filters instead.
Here’s how they work:
- By creating a barrier between the singer and the mic, pop filters act like a net to catch “plosives“, while allowing other sounds to pass freely.
- The barrier also acts as a distance marker, preventing singers from moving in too close, as they often will.
To see which pop filters I recommend, check out this article:
Up next…
2. Sibilance
The OTHER strange thing about the human voice is…
When pronouncing “S” and “F” sounds, the mouth emits a high frequency blast of air, commonly known as sibilance.
You don’t notice it in daily conversation…
But on recordings, when your mouth is right up against the mic, it often sounds painfully obvious.
Let’s do another demonstration:
Using a condenser mic (which is more prone to sibilance), record yourself saying this line:
She sells sea shells by the sea shore.
Now listen back and pay close attention to the “S” sounds. Hear that annoying hiss? That’s sibilance.
To fix this problem, you COULD just mask it with software tools like de-essers and multi-band compressors…
But the smarter strategy is to avoid recording it in the first place. Just like with popping, singing at an off-axis angle can USUALLY fix the problem.
If not though, here’s something else you can try:
The Pencil Trick.
Grab a pencil, and secure it directly over the diaphragm of your mic with a rubber band, as shown in this picture.
Now…those high frequency blasts will be split in half by the pencil, and diverted off to the side. Problem solved.
Moving on…
3. Proximity Effect
Due to the design of the cardioid mics…
Which is the standard polar pattern used on vocals…
Whenever a sound source is located within a few inches of the diaphragm…
The microphone exhibits a noticeable low-end boost in its frequency response.
The closer the sound, the stronger the effect.
With certain instruments such as acoustic guitar, this can serve as a useful tool in adding warmth.
On vocals however, when inexperienced singers use it unintentionally…
It can be extremely annoying to hear that low end boost appear and disappear at random.
If your singer is having this problem, here’s how you fix it:
- Use a pop filter – to prevent the singer from getting too close to the mic.
- Use omnidirectional mics – which are immune to proximity effect because of their design.
Up next…
How To Record Vocals On Garageband Iphone
4. Poor Room Acoustics
You could do EVERYTHING ELSE perfectly…
But the fact is…
If the acoustics in your room suck, so will your vocals.
And without proper acoustic treatment, you can pretty much guarantee that your studio’s acoustics WILL suck.
So if you don’t have any yet, make it your top priority. Here’s an article to help you get started:
If you don’t have the money or space to do it the traditional way…
Reflection filterscan be a good cheap alternative for anyone in search of a shortcut. They may not work as well as “real” acoustic treatment…but they’re a thousand times better than nothing at all.
To see which ones I recommend, check out this article:
Up next…
5. Foot Noise
With certain flooring…
Every single footstep can be heard loud and clear throughout the entire house.
When singers tap their feet, those vibrations travel up your mic stand, and onto the recording.
The common solution to this problem is to add a shockmount, which works bycreating acoustic isolation between the mic and the stand.
To find out if YOU need one, here’s what you do:
- Setup your mic as you normally would, record enable the track, and crank up the gain.
- Put on your headphones, walk around the mic stand, and listen.
If you hear your footsteps or any other floor noise, you could probably benefit from a shockmount.
While many vocal mics come with one included, if yours doesn’t, here’s what you do:
Because most shockmounts are designed to work only with a specific mic, you need to find the right match.
Try Googling something like “shockmounts compatible with your mic” and if one exists, you’ll know. If not, you might want to try using a different mic altogether.
Moving on…
Microphone Technique
As a home studio “engineer,” you can do everything right to set your singer up for success…
Yet the final product is STILL mostly in their hands.
And other than their actual singing ability, the other HUGE factor that determines the outcome is their microphone technique.
Singers with little experience behind a mic make nervous, fidgety head movements at random, which can ruin the recording of an otherwise great performance.
Skilled singers on the other hand, make deliberate, purposeful head movements that SIGNIFICANTLY improve the overall sound.
For instance, here are 4 common techniques they’ll use:
1. Controlling Volume with Distance
By moving closer to the mic as they get softer, and further as they get louder…
They level out their own volume fluctuations, dramatically reducing the amount of compression required later on.
2. Avoiding Popping and Sibilance
By adjusting their angle and distance from the mic, they can virtually eliminate any traces of popping or sibilance.
And they can do it without even using a pop filter.
3. Purposeful Use of Proximity Effect
By moving in closer to the mic during softer, more delicate passages, they can add a beautiful sense of intimacy to their tone.
Best Way To Record Vocals On Garageband Ipad Free
4. Controlling Breath Sounds
By turning their head to the side with each breath, they avoid those awkward breath sounds that must be later edited out.
And the really good ones know when to intentionally breathe INTO the microphone for effect.
Up next, let’s talk about how to help your singers acquire these skills if they don’t already have them…
Improving Mic Technique
Best Way To Record Vocals On Garageband Ipad 7
The truth is…few singers you work with will have really good mic technique.
But rather than trying to fix everything with editing…why not give them a few pointers to help them fix it themselves?
You see, unlike pro studios…
The great thing about home recording is…the people you record are typically your friends, and you guys have all the time in the world to get things right.
So after you explain to them the 4 techniques I just showed you…let ’em practice. And assuming they’re decent musicians, they’ll eventually figure it out.
Up next…what to do if they AREN’T good singers…
Coaching Poor Singers
If a singer is bad, and doesn’t know that he’s bad, it’s because he can’t hear WHY he’s bad.
So it’s unlikely that any amount of coaching on your part will help much in the near future.
In this case, your best course of action might just be to stay positive and make him feel confident.
Never ask more from someone than you believe they are capable of. Having unrealistic expectations only discourages people, making them sound even worse.
While it may not be the best thing for him in the long run…to extract the best possible performance on a given day, it’s MUCH better to have your singer feeling confident, than NOT.
And that brings us to the final topic of this article…
Using Effects While Recording
While SOME folks hold off on effects until AFTER the recording part is done…
OTHERS like to add them in BEFORE-HAND.
Here’s why:
Best Way To Record Vocals On Garageband Ipad Download
Many singers believe that adding a little reverb helps them stay on pitch.
In reality though, most of them just like it because it makes them sound better.
Which is good, because as we covered earlier…a confident singer always sounds better than an insecure one.
The downside is…
How To Record Voice On Garageband Ipad
By adding reverb, (or any effect for that matter), singers can be fooled into believing their performance is stronger than it really is.
And every effect you add increases the chance they’ll miss a problem which they might have otherwise heard and corrected themselves.
For example:
- By adding a de-esser, it’s harder to hear and avoid sibilance.
- By adding a high-pass filter, its harder to hear popping.
- By adding a compressor, it’s harder to hear level changes.
- By adding in auto-tune, it’s harder to hear when you’re off-key.
Therefore, good singers…who have the ability to hear these problems and adjust accordingly, might be best off having minimal effects while tracking.
With less-skilled singers, who won’t hear these problems anyway…
You might find the opposite approach to be a bit more effective.